I led our Wild White Horses of the Camargue photography holiday back in September 2018. This is one trip where big lenses are not required. In fact, the combination of a wide angle lens coupled with a mid-zoom lens such as a 70-200mm or a 100-400mm is perfect.
I had packed my 16-35mm & 70-200mm, but at the last minute, I decided to ditch both lenses in favour of my Canon EF 28-300mm f3.5-5.6 L IS USM Lens
. I bought this lens back in 2010 because I hated changing lenses & wanted something that would give me a wide range of focal lengths.
The Canon EF 28-300mm f3.5-5.6 L IS USM Lens
is known as Canon’s travel lens due to its incredible flexibility, but it wasn’t popular due to its weight & the fact that it was a push/pull zoom. I am a huge fan of the push/pull zoom; in fact, my go to lens was the original Canon EF 100-400mm f/4.5-5.6L IS USM Lens
before I (reluctantly) upgraded to the Canon EF 100-400mm f/4.5-5.6L IS II USM Telephoto Lens
. I’ve heard a lot of horror stories about the original 100-400mm, but I never experienced any of the issues described with my lens so I guess I must have been the lucky owner of one of the few good ones.
I found it incredibly liberating travelling so light & throughout the trip, I fell in love with the Canon EF 28-300mm
all over again. In my opinion, this lens is even more versatile than the Canon EF 100-400mm
since it covers most of the most commonly used focal lengths in a single lens & with an aperture of f/3.5 at 28mm
, it also works very well as a non-dedicated macro lens. And let’s not forget the enormous advantage of not having to change lenses in the middle of a photo shoot!
The Canon EF 28-300mm Lens
turned out to be the perfect lens for this White Horses of the Camargue photography trip. I was able to capture clean shots of the horses at 300mm, as they ran towards us in the salt marshes & the sea before they kicked up too much spray. The push/pull system allowed me to easily adjust my focal length right back up to 28mm as the horses ran past us.