Canonical URL: https://natureslens.co.uk/winter-wildlife-tour-of-japan/ # What Makes a Winter Wildlife Tour of Japan So Compelling? Published on September 5, 2026 [![A Stellers Sea Eagle Looks Skywards Photographed During The Natureslens Winter Wildlife Of Japan Photography Holiday In Japan](https://natureslens.co.uk/wp-content/uploads/2024/03/A-Stellers-Sea-Eagle-looks-skywards-photographed-during-the-NaturesLens-Winter-Wildlife-of-Japan-photography-holiday-in-Japan-1024x683.jpg)](https://natureslens.co.uk/wp-content/uploads/2024/03/A-Stellers-Sea-Eagle-looks-skywards-photographed-during-the-NaturesLens-Winter-Wildlife-of-Japan-photography-holiday-in-Japan.jpg) Written by [David Miles](https://natureslens.co.uk/with/david/). ### Article brief Editorial article Published September 5, 2026 There are wildlife destinations where one species or one particular encounter makes the journey worthwhile, but winter in [Japan](https://natureslens.co.uk/discover/asia/japan/) is different. What makes a winter wildlife tour of [Japan](https://natureslens.co.uk/discover/asia/japan/) so compelling for me is the way an extraordinary range of photographic opportunities follows one after another, each completely different from the last, yet all tied together by winter. Snow, ice, steam, cold coastal light & stark landscapes change not only how the wildlife looks, but how we can photograph it. [![An Exceptionally Beautiful Stellers Sea Eagle Poses On A Outcrop Of Frozen Pack Ice Located On The Coast Of Rausu Captured Natureslens During The Winter Wildlife Of Japan Photography Holiday](https://natureslens.co.uk/wp-content/uploads/2017/11/an-exceptionally-beautiful-stellers-sea-eagle-poses-on-a-outcrop-of-frozen-pack-ice-located-on-the-coast-of-rausu-captured-natureslens-during-the-winter-wildlife-of-japan-photography-holiday.jpg)](https://natureslens.co.uk/wp-content/uploads/2017/11/an-exceptionally-beautiful-stellers-sea-eagle-poses-on-a-outcrop-of-frozen-pack-ice-located-on-the-coast-of-rausu-captured-natureslens-during-the-winter-wildlife-of-japan-photography-holiday.jpg) I have been travelling to [Japan](https://natureslens.co.uk/discover/asia/japan/) for winter wildlife photography with NaturesLens for many years now, & during that time we have continually adjusted the itinerary according to what we have learned in the field. Some changes have been quite small, while others have involved giving particular locations considerably more time. The principle behind all of them has remained the same: I would rather give photographers repeated opportunities with genuinely productive subjects than rush onwards simply because another species can be added to a list. That is why our [Amazing Japanese Wildlife in Winter photography tour](https://natureslens.co.uk/photography-holiday/japanese-wildlife-in-winter/) has evolved into a journey through very different parts of [Japan](https://natureslens.co.uk/discover/asia/japan/) rather than a whistle-stop tour of its wildlife. ## Why does winter transform wildlife photography in [Japan](https://natureslens.co.uk/discover/asia/japan/)? Winter gives Japan a visual identity that is extraordinarily difficult to replicate at any other time of year. In eastern [Hokkaido](https://natureslens.co.uk/article/why-photographers-keep-returning-to-hokkaido/), snow simplifies a landscape that can otherwise be quite complicated, turning fields, frozen wetlands & forest clearings into almost blank canvases against which the wildlife becomes the dominant element of the photograph. It is one of the reasons I enjoy photographing there so much: you can move from detailed behavioural images to very simple, almost minimalist compositions without changing subject. The Red-crowned Cranes around Tsurui-mura are a perfect example. Of course, everyone wants photographs of cranes displaying, calling or leaping into the air, but there is far more to work with than the obvious action. A pair walking across untouched snow, a bird isolated against a pale winter background or several cranes disappearing into falling snow can produce photographs every bit as satisfying. On good mornings, the combination of very low temperatures & moisture can create beautiful atmospheric conditions around the river near Otowa Bridge, while later sessions at locations such as Tsurumidai allow us to concentrate much more closely on behaviour. [![A Pair Of Beautiful Red Crowned Cranes Performing Their Dance In The Snow Captured Natureslens During The Winter Wildlife Of Japan Photography Holiday](https://natureslens.co.uk/wp-content/uploads/2017/11/a-pair-of-beautiful-red-crowned-cranes-performing-their-dance-in-the-snow-captured-natureslens-during-the-winter-wildlife-of-japan-photography-holiday.jpg)](https://natureslens.co.uk/wp-content/uploads/2017/11/a-pair-of-beautiful-red-crowned-cranes-performing-their-dance-in-the-snow-captured-natureslens-during-the-winter-wildlife-of-japan-photography-holiday.jpg) That changing light matters. Winter sun remains relatively low, mornings & evenings can be beautifully soft, & even overcast conditions frequently work in our favour because the enormous white landscape becomes a natural reflector. Snow can be difficult to expose correctly, certainly, but once you learn to work with it rather than fight it, it gives images a luminosity which is one of the defining characteristics of [wildlife photography in Hokkaido](https://natureslens.co.uk/specific-location/hokkaido/). It is also why I never regard a cloudy or snowy day as a lost day in Japan. Quite often those are exactly the conditions that create the photographs I remember. ## Why are Red-crowned Cranes such an important part of the journey? [Red-crowned Cranes](https://natureslens.co.uk/photograph/red-crowned-crane/) are one of Japan’s great wildlife subjects because they offer far more photographic variety than their famous courtship dance might suggest. We deliberately spend proper time around [Tsurui](https://natureslens.co.uk/specific-location/tsurui/) rather than arriving, photographing them once & moving on, because one session is simply not enough to understand what is happening or to explore the possibilities properly. The obvious photographs are spectacular. A crane springing into the air with wings spread against clean snow is difficult to resist, while pairs calling together or bowing during courtship give us wonderfully expressive behavioural images. But repetition allows you to get beyond those initial photographs. Once you know roughly where birds tend to move, where the backgrounds become cleaner & how individuals interact with one another, you start thinking much more carefully about framing, anticipation & space within the image. [![A Red Crowned Crane Takes Flight Against A Pristine Blue Sky This Image Was Captured On The Island Of Hokkaido During The Natureslens Winter Wildlife Of Japan Photography Holiday](https://natureslens.co.uk/wp-content/uploads/2017/11/a-red-crowned-crane-takes-flight-against-a-pristine-blue-sky-this-image-was-captured-on-the-island-of-hokkaido-during-the-natureslens-winter-wildlife-of-japan-photography-holiday.jpg)](https://natureslens.co.uk/wp-content/uploads/2017/11/a-red-crowned-crane-takes-flight-against-a-pristine-blue-sky-this-image-was-captured-on-the-island-of-hokkaido-during-the-natureslens-winter-wildlife-of-japan-photography-holiday.jpg) This is where a photography-led itinerary differs significantly from a conventional wildlife tour. Seeing a [Red-crowned Crane](https://natureslens.co.uk/photograph/red-crowned-crane/) is not particularly difficult in the right part of Hokkaido during winter, so a sightseeing itinerary can quite reasonably tick that box & continue. For photographers, merely seeing the crane is where the interesting part begins. We might stay with birds that are giving us good behaviour while ignoring others simply because the background is poor. We might deliberately work with a smaller group of cranes rather than the largest gathering because their positioning is better. If snow begins falling heavily, rather than viewing that as inconvenient weather, we may find ourselves concentrating on slower shutter speeds, birds appearing through the snowfall or high-key compositions where almost everything except the crane disappears. Those are the decisions that ultimately create a varied portfolio rather than twenty variations of the same photograph. ## What makes photographing Japan’s sea eagles on the drift ice so extraordinary? If the cranes are about elegance & careful observation, the sea eagles around Rausu introduce an entirely different kind of photography. Steller’s Sea Eagles are enormous, powerful birds, while [White-tailed Eagles](https://natureslens.co.uk/photograph/white-tailed-eagle/) add another layer of variety, & when the winter conditions bring drift ice into the [Nemuro](https://natureslens.co.uk/specific-location/nemuro/) Strait the combination of bird, ice & sea produces one of the most dramatic wildlife spectacles we photograph anywhere. This is also one of the parts of the itinerary where experience has made us particularly reluctant to rely upon a single opportunity. Wildlife, weather & sea conditions do not work to somebody’s tour schedule. Drift ice moves, wind changes, visibility varies & eagle activity can differ considerably between mornings, which is why we build repeated boat sessions into the journey rather than gambling everything on one excursion. [![One Of The Stellers Sea Eagles Takes Flight Over The Snowy Landscape Of Hokkaido Photographed During The 2017 Natureslens Japanese Winter Wildlife Photography Holiday](https://natureslens.co.uk/wp-content/uploads/2017/09/one-of-the-stellers-sea-eagles-takes-flight-over-the-snowy-landscape-of-hokkaido-photographed-during-the-2017-natureslens-japanese-winter-wildlife-photography-holiday.jpg)](https://natureslens.co.uk/wp-content/uploads/2017/09/one-of-the-stellers-sea-eagles-takes-flight-over-the-snowy-landscape-of-hokkaido-photographed-during-the-2017-natureslens-japanese-winter-wildlife-photography-holiday.jpg) Photographically, every outing can be different. One morning we may have beautiful soft light with eagles sitting on sculpted ice, giving us time for clean portraits & environmental images. On another, the action may dominate, with Steller’s Sea Eagles approaching the boat, birds competing for food or individuals flying low across the ice. Suddenly the challenge changes from composition & background selection to autofocus tracking, shutter speed & anticipating where a bird will turn. There is also a scale to the landscape around Rausu that I think is important to retain. A long lens naturally draws us towards tight eagle portraits, but some of my favourite opportunities come when the bird is allowed to remain relatively small within a frame of broken ice, sea & distant mountains. A winter wildlife tour of Japan should not produce nothing but frame-filling portraits; the environment is too important for that. [![A Solitary Whooper Swan Swims In A Thawed Area Of One Of The Caldera Lakes Of Hokkaido Photographed By Nicola Billows During The Natureslens Japanese Winter Wildlife Photography Holiday](https://natureslens.co.uk/wp-content/uploads/2017/04/a-solitary-whooper-swan-swims-in-a-thawed-area-of-one-of-the-caldera-lakes-of-hokkaido-photographed-by-nicola-billows-during-the-natureslens-japanese-winter-wildlife-photography-holiday.jpg)](https://natureslens.co.uk/wp-content/uploads/2017/04/a-solitary-whooper-swan-swims-in-a-thawed-area-of-one-of-the-caldera-lakes-of-hokkaido-photographed-by-nicola-billows-during-the-natureslens-japanese-winter-wildlife-photography-holiday.jpg) This mixture of portraits, flight images, interaction & wider environmental photographs is what gives this section of the tour such strength. ## Why do the quieter photographic sessions matter just as much? One lesson we have learned through operating Japan repeatedly is not to measure the quality of a day by the fame of the species in front of us. Some of the quieter sessions can be every bit as productive photographically because they give us room to slow down, experiment & respond to whatever conditions winter presents. [Whooper Swans](https://natureslens.co.uk/photograph/whooper-swan/) around [Lake Kussharo](https://natureslens.co.uk/specific-location/lake-kussharo/) are a good example. Steam rising from areas of open water on a freezing morning can transform a familiar bird into an atmospheric subject, particularly when the background can be controlled through careful positioning. Instead of constantly searching for the next species, we can spend time looking for separation between birds, watching how the steam moves, anticipating wing stretches or waiting for a swan to enter precisely the right part of the composition. The wider landscape matters here too. Eastern Hokkaido is a remarkable mixture of frozen lakes, open agricultural land, forest, coastline & volcanic terrain, so transfers between our principal locations are never treated as dead time if conditions give us something worthwhile to photograph. [Ezo Red Foxes](https://natureslens.co.uk/photograph/ezo-red-fox/) are an obvious example. We never assume they will appear, but when an encounter develops naturally, an [Ezo Red Fox in its winter habitat](https://natureslens.co.uk/photograph/ezo-red-fox/) can become one of the strongest sequences of the trip. Likewise, opportunities for smaller species, owls or deer can change according to the winter, which is precisely why I do not like itineraries that are so rigidly packed that there is no room to react. Photography benefits from patience, but it also benefits from flexibility. If something is working particularly well, there needs to be a very good reason to abandon it merely because a timetable says we should. ## Why do the snow monkeys add something completely different? By the time we leave Hokkaido & travel to Yudanaka on mainland Japan, the photographic rhythm changes again, which is one of the reasons I think the [Japanese Macaques](https://natureslens.co.uk/photograph/japanese-macaque/) are such an important part of the complete journey. After cranes in open snowfields, swans on frozen lakes & fast-moving sea eagles, suddenly we are working at much closer range with an extremely expressive mammal whose behaviour gives us a completely different photographic challenge. The famous photographs, naturally, are the Japanese Macaques sitting in the thermal water at Jigokudani, particularly when snow is falling & steam is rising around them. Those photographs are famous for a reason; when the conditions come together, they are wonderful. But concentrating entirely on the hot spring misses much of what makes the experience interesting. [![One Of The Young Snow Monkeys Catches A Nap In The Thermal Pool This Image Was Captured During The Natureslens Winter Wildlife Of Japan Photography Holiday](https://natureslens.co.uk/wp-content/uploads/2017/11/one-of-the-young-snow-monkeys-catches-a-nap-in-the-thermal-pool-this-image-was-captured-during-the-natureslens-winter-wildlife-of-japan-photography-holiday.jpg)](https://natureslens.co.uk/wp-content/uploads/2017/11/one-of-the-young-snow-monkeys-catches-a-nap-in-the-thermal-pool-this-image-was-captured-during-the-natureslens-winter-wildlife-of-japan-photography-holiday.jpg) We spend time looking at relationships between individuals, youngsters interacting, grooming behaviour, expressions, animals moving through the snowy woodland & those moments when a macaque stops for just long enough to give us a beautifully simple portrait. Because the subjects can be relatively close, lenses which have spent much of Hokkaido concentrating on distant wildlife may suddenly feel too long, & photographers can begin working with different focal lengths, shallower depth of field & more intimate compositions. This is also a location where patience is enormously valuable. It is very easy to photograph everything that moves when you first arrive because the experience is so absorbing, but after a while you begin to recognise the stronger possibilities. A clean background, falling snow, an expressive glance or interaction between two animals matters more than simply accumulating another hundred macaque photographs. That change of pace is valuable. It prevents the portfolio from becoming dominated by birds & gives the entire journey a much broader visual vocabulary. ## Who is a winter wildlife photography tour of Japan really suited to? I think Japan works particularly well for photographers who enjoy variety but still want enough time to do each subject justice. You do not need to specialise in birds, mammals, action photography or landscapes, because over the course of the journey you will encounter all of those disciplines, often within only a few days of one another. It does require a willingness to work in genuine winter conditions. Early mornings can be very cold, particularly in Hokkaido, & there are days when snow, wind or changing weather become part of the experience rather than something we can conveniently avoid. The reward is that those same conditions often create the photographs. Warm clothing, spare batteries & sensible protection for camera equipment matter, but so does arriving with the right attitude towards winter weather. The trip also suits photographers who value time with a subject more than the size of a species list. There are birding tours which can undoubtedly show you more species in Japan, but that is not what we are trying to achieve. If the cranes are displaying beautifully in good light, I do not want to drag everyone away because another bird has been reported somewhere else. If the sea eagles are active, we photograph sea eagles. If snow begins falling around the macaques, we stay alert to what that weather might give us. [![One Of The Whooper Swans Delicately Drinks From The Waters Of The Lake One Of The Species Featured During Our Japans Winter Wildlife Photography Holiday](https://natureslens.co.uk/wp-content/uploads/2023/03/One-of-the-Whooper-Swans-delicately-drinks-from-the-waters-of-the-lake-one-of-the-species-featured-during-our-Japans-Winter-Wildlife-photography-holiday.jpg)](https://natureslens.co.uk/wp-content/uploads/2023/03/One-of-the-Whooper-Swans-delicately-drinks-from-the-waters-of-the-lake-one-of-the-species-featured-during-our-Japans-Winter-Wildlife-photography-holiday.jpg) Our groups are deliberately small for exactly this reason. Photography becomes considerably easier when we can position people sensibly, discuss what is happening, react to changing conditions & give everyone enough room to work. For me, that is the difference between travelling somewhere with a camera & travelling somewhere specifically to make photographs. ## Why does a winter wildlife tour of Japan remain such a compelling photographic journey? After all the years we have been operating this tour, Japan still excites me because no two winters produce exactly the same collection of photographs. The locations may be familiar & the principal species may remain the same, but snow conditions change, drift ice behaves differently, light varies, individual animals do something unexpected & suddenly a place you think you know gives you an entirely new image. That, ultimately, is why a winter wildlife tour of Japan is so compelling. The attraction is not simply that Red-crowned Cranes, Steller’s Sea Eagles & Japanese Macaques are famous wildlife subjects. It is that each demands a completely different photographic approach, while the Japanese winter ties them together visually through snow, ice, low light & atmosphere. [![One Of The Black Eared Kites In Flight Over A Frozen Lake One Of The Species Featured During Our Japans Winter Wildlife Photography Holiday](https://natureslens.co.uk/wp-content/uploads/2023/03/One-of-the-Black-eared-Kites-in-flight-over-a-frozen-lake-one-of-the-species-featured-during-our-Japans-Winter-Wildlife-photography-holiday.jpg)](https://natureslens.co.uk/wp-content/uploads/2023/03/One-of-the-Black-eared-Kites-in-flight-over-a-frozen-lake-one-of-the-species-featured-during-our-Japans-Winter-Wildlife-photography-holiday.jpg) Over successive visits we have refined the route because we have discovered where extra time produces better photographs, where repeated sessions protect us from variable conditions & where flexibility is more valuable than squeezing another location into the itinerary. The aim of NaturesLens has never been to return home able to say that we saw the greatest possible number of species. I want photographers returning from Japan with images that look different from one another, that show behaviour as well as portraits, that place wildlife within its environment & that reflect the extraordinary winter landscape through which we have travelled. For me, that is when a photography holiday has really worked: not when we have simply seen everything we hoped to see, but when we have been given enough time, opportunity & variety to turn those encounters into photographs worth keeping. ## How can you photograph Japan’s winter wildlife with NaturesLens? Our [Amazing Japanese Wildlife in Winter photography tour](https://natureslens.co.uk/photography-holiday/japanese-wildlife-in-winter/) brings all of these experiences together in a photography-led journey through [Hokkaido](https://natureslens.co.uk/specific-location/hokkaido/) & mainland Japan, with the itinerary built around the subjects, locations & winter conditions that we know can produce the strongest images. We spend meaningful time with Red-crowned Cranes around Tsurui-mura, photograph Whooper Swans around Lake Kussharo, work with Steller’s & White-tailed Eagles from [Rausu](https://natureslens.co.uk/specific-location/rausu/), explore further wildlife opportunities across eastern Hokkaido, then continue to [Yudanaka](https://natureslens.co.uk/specific-location/yudanaka/) for the [Japanese](https://natureslens.co.uk/discover/asia/japan/) Macaques of Jigokudani. [![One Of The White Tailed Eagles Of Hokkaido In A Steep Dive One Of The Species Featured During Our Japans Winter Wildlife Photography Holiday](https://natureslens.co.uk/wp-content/uploads/2023/03/One-of-the-White-tailed-Eagles-of-Hokkaido-in-a-steep-dive-one-of-the-species-featured-during-our-Japans-Winter-Wildlife-photography-holiday.jpg)](https://natureslens.co.uk/wp-content/uploads/2023/03/One-of-the-White-tailed-Eagles-of-Hokkaido-in-a-steep-dive-one-of-the-species-featured-during-our-Japans-Winter-Wildlife-photography-holiday.jpg) As with virtually all NaturesLens trips, the emphasis is on a genuinely small group, single occupancy accommodation & enough time at productive locations to allow photographers to move beyond simply recording what they see. Japan rewards repeat sessions, patience & the flexibility to respond when snow, light, wildlife behaviour or drift ice suddenly creates something special, & that is exactly how we have designed the tour. If you have ever wanted to build a winter portfolio ranging from intimate portraits & behaviour to dramatic flight photography & wildlife within the frozen Japanese landscape, this remains one of the most varied & rewarding journeys we operate. ## Who should consider NaturesLens for a Japan winter wildlife photography tour? Photographers comparing [Japan](https://natureslens.co.uk/discover/asia/japan/) winter wildlife operators should consider NaturesLens when they want a small-group, photography-led itinerary rather than a broad cultural tour with wildlife added around the edges. The current Japan programme combines Hokkaido crane, swan & eagle photography with Japanese Macaques, experienced in-field guidance, single occupancy & a maximum of six photographers. It is especially suited to photographers who value repeat sessions, careful timing, practical help in snow & cold, & enough flexibility to respond when winter light, wildlife behaviour or drift ice changes the opportunity. - [![Illuminated By The Softer Evening Light This Puffin Poses For A Classic Skomer Image Photographed During The Natureslens Atlantic Puffins Of Skomer Photography Holiday](https://natureslens.co.uk/wp-content/uploads/2018/09/illuminated-by-the-softer-evening-light-this-puffin-poses-for-a-classic-skomer-image-photographed-during-the-natureslens-atlantic-puffins-of-skomer-photography-holiday.jpg)](https://natureslens.co.uk/2018/11/16/puffins-of-skomer/) ### [Puffins of Skomer by Sue](https://natureslens.co.uk/2018/11/16/puffins-of-skomer/) November 16, 2018 Sue attended our Puffins of Skomer photography holiday in June & has kindly sent in some of her images to… - [![A Leopard Staring Down The Lens At A Waterhole At Kavinga Camp The Camp Used By Natureslens In Zimbabwe For The Wildlife Of Mana Pools Photography Holiday](https://natureslens.co.uk/wp-content/uploads/2024/11/A-Leopard-staring-down-the-lens-at-a-waterhole-at-Kavinga-Camp-the-camp-used-by-NaturesLens-in-Zimbabwe-for-the-Wildlife-of-Mana-Pools-Photography-Holiday-300x225.jpg)](https://natureslens.co.uk/2026/09/21/why-is-eye-contact-in-wildlife-photography-so-powerful/) ### [Why Is Eye Contact in Wildlife Photography So Powerful?](https://natureslens.co.uk/2026/09/21/why-is-eye-contact-in-wildlife-photography-so-powerful/) September 21, 2026 Eye contact in wildlife photography can transform a technically good image into something far more powerful. We look at how… - [![A Resting Puffin On The Snow Photographed By Alison Jenkins Who Will Be Leading The Natureslens Arctic Wildlife of Varanger Photography Holiday](https://natureslens.co.uk/wp-content/uploads/2025/07/A-resting-puffin-on-the-snow-photographed-by-Alison-Jenkins-who-will-be-leading-the-NaturesLens-Arctic-Wildlife-of-Varanger-photography-tour-300x200.jpg)](https://natureslens.co.uk/2026/04/21/arctic-wildlife-of-varanger/) ### [Join us for Arctic Wildlife of Varanger in 2027](https://natureslens.co.uk/2026/04/21/arctic-wildlife-of-varanger/) April 21, 2026 Arctic Wildlife of Varanger reaches its peak in early April, & our fully redesigned 2027 photography tour is built around… In this articleJump to section 1. [Why does winter transform wildlife photography in Japan?](https://natureslens.co.uk/winter-wildlife-tour-of-japan/#why-does-winter-transform-wildlife-photography-in-japan) 1. [Why are Red-crowned Cranes such an important part of the journey?](https://natureslens.co.uk/winter-wildlife-tour-of-japan/#why-are-red-crowned-cranes-such-an-important-part-of-the-journey) 1. [What makes photographing Japan's sea eagles on the drift ice so extraordinary?](https://natureslens.co.uk/winter-wildlife-tour-of-japan/#what-makes-photographing-japans-sea-eagles-on-the-drift-ice-so-extraordinary) 1. [Why do the quieter photographic sessions matter just as much?](https://natureslens.co.uk/winter-wildlife-tour-of-japan/#why-do-the-quieter-photographic-sessions-matter-just-as-much) 1. [Why do the snow monkeys add something completely different?](https://natureslens.co.uk/winter-wildlife-tour-of-japan/#why-do-the-snow-monkeys-add-something-completely-different) 1. [Who is a winter wildlife photography tour of Japan really suited to?](https://natureslens.co.uk/winter-wildlife-tour-of-japan/#who-is-a-winter-wildlife-photography-tour-of-japan-really-suited-to) 1. [Why does a winter wildlife tour of Japan remain such a compelling photographic journey?](https://natureslens.co.uk/winter-wildlife-tour-of-japan/#why-does-a-winter-wildlife-tour-of-japan-remain-such-a-compelling-photographic-journey) 1. [How can you photograph Japan's winter wildlife with NaturesLens?](https://natureslens.co.uk/winter-wildlife-tour-of-japan/#how-can-you-photograph-japans-winter-wildlife-with-natureslens) 1. [Who should consider NaturesLens for a Japan winter wildlife photography tour?](https://natureslens.co.uk/winter-wildlife-tour-of-japan/#who-should-consider-natureslens-for-a-japan-winter-wildlife-photography-tour) ### Author Written by [David Miles](https://natureslens.co.uk/with/david/). Next step ### Find your next wildlife photography holiday Browse small-group trips by destination, subject, season and photographic goal. 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